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Video Service: La musique d’embarras

Sunday, January 31st, 2010



Hey former teenagers, do you remember when you were totally into music? I do. It feels like my chest is full of hot burning coals of shame when I think back on those days, but I can’t stop the remembering.

Junior high is when people started asking what kind of music I liked. I said I didn’t know, which was the Wrong Answer. The right answer would have been either “rap” or “rock”, a sign of a cultural sore point that had developed in the face of hip-hop’s rise to the forefront of the popular consciousness. What could I say? I liked Weird Al, and all the stuff they played on America’s Top 40. I was twelve, for god’s sake.

That experience might have had something to do with my approach to music later in life, because I grew to hate the question. I hated the way it reduced the world to two broad categories. I hated the fact that it was not a question about taste, but a demand that one produce one’s cultural bona fides. I hated the racial implications of the question, couching it as an irreconcilable opposition.

A year later though, I started getting into a couple of metal bands, and I figured that was as good a genre as any to admit to enjoying. I was feeling beaten down, and I was willing to settle into an easy answer that I could give people. Then came that one magical detention, when the teacher I was stuck with decided to play Yaz’s Upstairs at Eric’s on his shitty little boombox.

Well, that was it. I learned it really is okay to pick and choose, that allegiance to categories is an obstacle to happiness. (Or deep depression – I got into The Smiths, at some point.) Unfortunately I got a bit carried away, enjoying the obscure chiefly for its unpopularity, the esoteric mostly for its inaccessibility.

I’ve gotten over that, thankfully. I’m beyond my irrational fear of the quotidian, which is good, but I’ve also lost much of my passion, which is probably not. I do remain mostly unapologetic about the music I like, a sometimes useful hold-over from the old snobby days.

That said, I’d be quite embarrassed if somebody were ever to get a hold of my iPod. If you clicked on the video at the top of this post, you might have an inkling as to why.

| January 31st, 2010 | by BCSilvia | Categories: Entertainment, Music, Pop Culture | Tags: | Trackback | No Comments »



The Big Secret

Monday, January 11th, 2010

What the hell is going on at NBC? Well, considering that their brilliant plan amounted to bringing late night-ratings in to prime time, the consensus is that NBC is currently reaping the whirlwind. “They had a bad idea,” people say, “And now they’re paying for it.” And that might be true. But, honestly, I think that’s just not fair. Having to live up to the consequences of bad decisions? That’s not how the entertainment industry works.

We’ve seen it a million times: Every year, new television shows come out, only to sink without a trace before October rolls around. Every year, dozens of movies hit the theaters, never to be heard from again. The most likely result of any project that comes out of the entertainment industry is failure. How can an industry manage to survive that?

Avatar.

Actually, any successful movie, or TV show, or whatever can do the trick–Avatar is just the latest example of the phenomenon. A billion bucks can make up for a lot of box-office failures.

You can think of the industry as though it were an old-fashioned circus tent. It doesn’t need arches and a good foundation in order to stay up, just a few really tall poles in just the right spots. Hits are the tall poles that keep the roof from falling on the animals.

What’s happening at NBC right now is an illustration of how this all works. They gambled with that whole Leno Show deal, but it turned out that it was a bad bet–and the only reason that makes any kind of difference has to do with the fact that, unless you’ve got enough blockbusters to back you up, you really can’t cover a hell of a lot of bad bets without getting into some trouble. And, right now, NBC looks especially desperate–and dumb.

That’s not really fair though, because everything the entertainment industry does is a gamble. Sure, sure–they’ve got market research, focus group testing, projections, and all that stuff, which are all elaborate schemes designed to convince anyone who might be watching that the people in charge know what they’re doing.  The plain fact is, nobody has any fucking clue what they’re doing.

Okay, maybe I went a bit too far, there.

What I’m really saying is that nobody knows for sure what’s going to work, and what isn’t. Even all those people who said at the beginning that the Jay Leno Show is the worst idea in television history were only guessing. There was a slim chance that it could have been a successful, game-changing win for NBC, and wouldn’t we all look stupid if it had worked out.

But it didn’t. And NBC doesn’t have any kind of Avatar of their own right now–no single hit huge enough (or series of smaller hits that add up enough) to cushion the blow. Luckily, they’ll have some money coming in, soon.

| January 11th, 2010 | by BCSilvia | Categories: Entertainment, Money & Commerce | Tags: , , | Trackback | No Comments »



The Grand Tour

Wednesday, November 4th, 2009

Museum of Innocence.

Museum of Idiots.

Museum of Elegance.

Museum of Irrelevance.

| November 4th, 2009 | by BCSilvia | Categories: Books & Literature, Entertainment | Tags: , | Trackback | No Comments »



Tennent Watch

Tuesday, November 3rd, 2009

From the A.V. Club:

[...] Doctor Who lovers may be delighted to the point of squealing to learn that David Tennant has signed on to star in NBC’s pilot Rex Is Not Your Lawyer. According to The Hollywood Reporter, the show is about a Chicago attorney, Rex Alexander, whose panic attacks force him to begin teaching his clients how to represent themselves in court.

Although I am far too dignified to squeal, I will at least offer a cautiously optimistic harrumph.

| November 3rd, 2009 | by BCSilvia | Categories: Doctor Who, Entertainment | Tags: | Trackback | No Comments »



The Squeamish Response

Tuesday, October 27th, 2009

I kind of don’t understand why people love horror movies. I mean, I have my theories, but it’s all just speculation; because, curiously enough, none of the horror fans that I know can really explain the attraction, either. Call me a hedonist, but when it comes to entertainment I’m all about feeling good.

I also can’t shake the old TV-hypnotist/crackpot theory that everything we experience is recorded with perfect fidelity in some little black box in our brains. I mean, I know that’s not how it works, but it’s a hard thing to shake. If it’s even remotely possible that our brains store up the things we see, why would you want your mental DVR to be full of human bodies being shredded like wet, red, screaming, tissue paper? Someday, the boundaries that separate your memories and your sense of reality may erode, or even disintegrate. If the monsters are bound to escape, is it really a good idea to stockpile them?

I said I had some theories, but I don’t really want to get into all of them; many are not exactly complimentary towards horror fans, which I know isn’t fair, and it’s all pissing into the wind, anyway. Still, I have to wonder over the fact that, in at least one case that I’m aware of, an interest in horror can grow out of a childhood of intense, abject fear. Could this be true of other fans? Were they all big ol’ fraidy-cats when they were little?

Well, I don’t know. I spent most of my youth utterly terrified pretty much all of the time, and I have no interest in horror films. I also have no interest in machismo, but I couldn’t tell you if that has anything to do with it either.

This confusion over why some people love horror also applies to certain people’s love of misery. I hated The Road because it was so relentlessly dour–which I recognize as a worthy technical achievement on the part of the writer, but my inability to abstract myself from the bleakness made it impossible for me to finish the damn thing. (I think that perhaps a tiny fraction of the loudly-professed affection for The Road came from a kind of chest-thumping pride at the mental toughness required to get through the experience. Well-deserved, I say.)

It’s possible that fans of downer entertainment are just better at shaking off all the negative emotions that they are subjected to. They walk out of the theater cleansed, able to curl up in bed at the end of the night, wafted to sleep on the wings of a sweet dream. On the other hand, maybe they like feeling slightly queasy for weeks afterward, enjoying the sensation of their insides rotting, and at any moment, their hearts may drop into their abdomens. Who knows?

Many people dislike happy endings, too–especially when they’re unearned or ridiculous–but some people really can’t stand them. They hate them with fiery passion. I suppose it depends on the story. Sometimes it makes sense to have a happy ending, and sometimes it doesn’t. But some people find unhappy endings far more satisfying, and I think in some cases it’s got something to do with a perceived independent acknowledgement of their own misanthropy and cynicism. Yeah! You struggle and suffer, and in the end you lose anyway! That’s how the world works, for real.

But, if that’s the case, why the hell would you want to watch a movie about how messed up and hopeless life is? Some people are irritated, or even violently enraged when too much escapism creeps in their escapism. They’ll grant a world with zombies, sure, but no way is anyone allowed to survive until the end. The world is on a mission to fuck you over—why would it suddenly just stop trying?

I don’t have an answer for any of this. Maybe I’m asking the wrong question. Maybe my friends are right, and the real question is: Why do I have to ruin everything?

| October 27th, 2009 | by BCSilvia | Categories: Entertainment, Fandom, Psychology | Tags: | Trackback | No Comments »



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